I’ve been in a Beady Eye mood for days now–probably because I’m anxiously awaiting Liam Gallagher’s first solo album to be released followed up by his brother Noel’s third solo project. While Oasis and NG’s High Flying Birds frequent my playlist, I’ve really been hankering for Beady Eye’s eclectic sound. Beady Eye’s mix of psychedelia, adventurous edginess, and Jerry Lee Lewis-like piano riffs hit the spot whether I’m on a walk at the beach or curling up on the sofa with the fur-baby. So tonight’s jukebox features a mixture of songs from the two Beady Eye projects: Different Gear, Still Speeding and Be.
“Shine a Light” from the album Be.
This gem of a song (okay, pun intended, as Beady Eye songs are written by Gallagher, Gem Archer, and Andy Bell) features a barely suitable for work video full of bare ladies and a cross-clad priestlike Liam Gallagher (a rather ironic image) juxtaposing saintliness and sin while making a hedonistic statement of how thin the line is between pleasure and transgression. The percussion drives this song, which has been compared to U2’s “Desire” in sound and theme. “Shine a Light” and “Desire” do offer some interesting comparisons. Consider the following verses:
from “Shine a Light”
“…Rising fast on my feet, let me breathe, let me speak
I’m at home, I’m alive, both in veins above the size,
Crystalline in the dark, all you see is the spark
All you feel, you don’t speak, me and you born to see…”
“Four Letter Word” from the album Different Gear, Still Speeding.
This song’s hard horns and psychedelic tone contrasts sharply with the guitar rock Oasis mainstay “Live Forever” in sound and word with the refrain “…nothing ever lasts forever.”
“Flick of the Finger” from the album Be.
Beady Eye reworked an abandoned 2004 Oasis song by adding new lyrics and ominous horns. The song opened the album showcasing the group’s willingness to take chances and wax experimental.
The political spoken word piece ending the song is performed by Kayvan Novak, who reads from a piece by Tariq Ali (who was quoting from the 1963 play Marat/Sade):
Spoken word part: “Don’t be deceived when our revolution has been finally stamped out and they pat you paternally on the shoulder and say that there’s no inequality worth speaking of and no more reason for fighting, because if you believe them, they will be completely in charge in their marble homes and granite banks from which they rob the people of the world under the pretense of bringing them culture…
Watch out, for as soon as it pleases them, they’ll send you out to protect their gold in wars, who’s weapons rapidly developed by servile scientists will become more and more deadly, until they can, with the flick of the finger, tear a million of you into pieces.”
“Wigwam” from the album Different Gear, Still Speeding.
This song reminds me of the more Beatle-esque qualities from the group’s Oasis days. The “…I’m coming up…” refrain at the end hearkens back to the “na na na” of “Hey, Jude.” Considering that this song is one of the safer sounding songs on the duo of Beady Eye albums, it highlights just how exploratory and innovative the band was. Because of the risks taken by Gallagher, Bell, Archer, and Sharrock on their Beady Eye outings, I’m hopeful that Liam Gallagher’s new solo project will show he is continuing to explore and show a novel and fresh innovative streak as well. While I can always count on Noel to provide some safe (and brilliant) radio-friendly tracks, I’m hoping I can continue to count on Liam to stretch and push the envelope.